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Focused on Aboriginal and Non-Aboriginal Art from Australia

 

                                                

  

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PINTUPI ARTISTS  live and work in various areas in their Pintupi home country, which encompasses a vast stretch of land in the Gibson Desert in the Northern Territory of Australia and beyond over the border into Western Australia. Pintupi Artists have a very strong presence in the Aboriginal Art world and most are associated to their own community art centre known as Papunya Tula Artists Pty. Ltd., which has a long history and also included member artists, such as Clifford Possum Tjapaltjarri and Billy Stockman Tjapaltjarri, who were not Pintupi, but were part of the group of painting men, who brought Contemporary Aboriginal Art into being and founded Papunya Tula Artists Pty Ltd to begin with.

 

 

   Johnny Yungut Tjupurrula  Bibliography   

 

 

 

        

 

 

Date: 2002

Size: 153 x 122 cm  ( Aprox. 5` 6`` x  4` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue #  JY0207222

PRICE:  Offers considered

 

 

                          

 

These two ceremonial relics depicting traditional Aboriginal iconography, or traditional Aboriginal symbols, serve to further reinforce the traditional nature of Johnny Yungut`s paintings, which clearly remain interconnected to the secret-sacred  world of Aboriginal tribesmen.  Relics such as this and a better understanding of the Art of other Aboriginal Masters largely contradict the notion that artists of the Papunya Tula Art Movement shifted away from depicting secret-sacred material following the departure of Geoffrey Bardon from Papunya Settlement. Reasons for this shift differ among those who monopolize Aboriginal literature and information, because no-one thought of asking the precursors of the Movement themselves, who to some degree did make their secret-sacred material less conspicuous, but not to the degree widely held, as demonstrated in Johnny Yungut`s work in which all that is really missing here is the actual representational image of a Tjurunga (Churinga), or sacred carved stone or board, but not its content.

 

 

 

Sales/information: Artspeak@bigpond.com

   

                                                                                                                                       


 

  Johnny Yungut Tjupurrula

 

 

     

 

Date: 2002

Size: 137 x 122 cm  ( 4` 6`` x  4` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue #  JY0207075

PRICE: Offers Considered

 

 

As Pintupi Art developed Pintupi artists became less concerned with pictorial detail and instead focused their attention on the fundamental visual basics associated to their own cultural visual language, which senior artists like Johnny Yungut knew well and practiced this form of art in creating ceremonial sandpaintings and body art in traditional rituals throughout their adult life. This is the experience that Johnny Yungut brought to his canvases that portray the profound in Pintupi Culture.

 

Not guided in his art making to be at one with current tastes, or paint in haste for his next pay cheque, Johnny Yungut  drew  from his own creativity and painted with heart. Consequentially, this is the art that will hold pride of place in the art world for all time, for it rests beyond personal taste and trends and interference and can only be described as `Important Contemporary Aboriginal Art`, because this is exactly what it is and it's beautiful. 

 

 

 

 

Sales/information: Artspeak@bigpond.com

 

    


Ronnie Tjampitjinpa (c.1943-)

 

                                       

                                                        An early 1970s Tjurunga Stone that serves to support the sacred traditional content in Ronnie Tjampitjinpa`s unique and exquisite painting. 

Date: 1996

Size: 132.5 x 95 cm  ( Aprox. 4` 4`` x  3` 1 1/2``) 

Medium: Acrylic on Linen

Provenance: Commissioned by P Los 

                   COA Artspeak Studio Gallery

PRICE:  SOLD

 

 

 

Sales/information: Artspeak@bigpond.com

 

 


Richard Yukenbarri Tjakamarra (or Richard Tjakamarra)

Date: 2002

Size: 91 x 91 cm  ( Aprox. 3` x  3` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue # RY 0212171

PRICE: AU$4,900

 

 Most recent exhibition: YIWARRA KUJU : THE CANNING STOCK ROUTE (Jan 10-Jan 11) ...

National Museum of Australia

 

Publication: YIWARRA KUJU : THE CANNING STOCK ROUTE, 2010, National Museum of Australia.

 

 

 

 

Sales/information: Artspeak@bigpond.com

 

 

 


George Tjapanangka (c.1930s-2002)

       

Date: 1998

Size: 61 x 55 cm  ( Aprox. 2` x  1` 9 1/2`` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue # GT 980648

PRICE: SOLD

 

According to John Kean (long term art advisor and currently a staff member at Museum Victoria), speaking of the art of George Tjapanangka in relation to his first solo exhibition `Desert Landmarks` in Melbourne some years ago: "George's works are unique, because they are relatively small-scale with careful detailing of traditional elements, rather than the large scale minimalist works which have been popular recently".

 

 

 

 

Sales/information: Artspeak@bigpond.com  

 


Kenny Williams Tjampitjinpa

      

Date: 1998

Size: 61 x 55 cm  ( Aprox. 2` x  1` 9 1/2`` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue # GT 980524

PRICE:  SOLD

 

 

 

 

Sales/information: Artspeak@bigpond.com    

 


Barney Campbell Tjakamarra (c.1930s- 2006)

 

       

 

Date: 1998

Size: 91 x 46 cm  ( Aprox. 2` x  1` 9 1/2`` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue # BC 981003

PRICE: SOLD

 

 

 

Sales/information: Artspeak@bigpond.com    

 


 

 Joe Wondous Tjapanangka (deceased)

 

                  

 

 

Date: 1985

Size: 121 x 76 cm  ( Aprox. 3` 11 3/4` x 2` 6`` ) 

Medium: Acrylic on Linen

Provenance: Papunya Tula Artists catalogue # JW851117

PRICE:  SOLD

 

With few works by this artist so far discovered, little is known of Joe Wondous, who started painting for Papunya Tula Artists at around 1976 in relation to a work by him that forms part of the Australian Embassy collection in Paris.  How he died or when he died is not known, though from this work's accompanying certificate he obviously spent some time at New Bore Outstation, which presumably might be situated in Pintupi country. If more is discovered it will be added here, but what can be said is that this work forms part of the history of Papunya Tula Artists. 

 

 

 

 

 

Sales/information: Artspeak@bigpond.com    

 


 

 Pintupi women's art in the Pintupi Women's Gallery

 

 

 


All material on this site is protected by Australian and international copyright and other intellectual property laws. Users may not do anything which interferes with or breaches those laws or the intellectual property rights in the material. Where there is a wish to use expression: permission is granted on the basis that the source is acknowledged, this permission extends to the non-reproduction use of the art of Milanka J Sullivan,  but does not include imagery belonging to Aboriginal Artists, which remains the sole property of the artist or artist`s estate.  If unclear seek clarity.

      

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